February 2012
79 posts
12 tags
THESIS TAKE THREE
Gregg Evans How Soon is Now? How the confusion of time activates the viewer and expands the possibility of the single moment in the work of Collier Schorr, Felix Gonzalez-Torres, and Mike Mills. (Working Title) Do artists whose work confuses our perception of narrative time change our experience of the art object itself? How does the use of disjointed or non-linear narratives activate the...
“Come here
and share the rain
with me. You.
Isn’t it wonderful to hear
the...”
– Eileen Myles, “And Then the Weather Arrives”
From Not Me.
(via queermyquery)
“Let’s drink buckets
of coffee. Let’s
imagine ourselves
all fired up
for...”
– Eileen Myles, “Keats & I”
From Not Me.
(via queermyquery)
It might seem that multiplying a view would get us closer to the truth; instead, repetition reminds us that meanings are always multiple and changing.
-Sze Tsung Leong
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A working title/work in progress/totally...
Gregg Evans How Soon is Now? How the confusion of time activates the viewer and expands the possibility of the single moment. (Working Title) Do artists whose work confuse our perceptions of narrative time change our experience of the art object itself? How does the use of disjointed or non-linear narratives activate the viewer and break from traditionally passive modes of experiencing art? By...
“Jens, like most boys, seemed yet to be seen, but paradoxically he reminded me of Helga, who had lent herself so completely that she had become the invention of someone else.”
-Collier Schorr.
Watchalexihobbs:
Collier Schorr talking about Collier Schorr. So great.
“Why is light
so damn emotional
if it’s just
a burning star
this toe
an inch”
– Eileen Myles, from I’m Moved (via drugz)
“Interpretations are never allowed to rest in the crystal image and only ever...”
– Photography, Cinema, Memory: The Crystal Image of Time - Damian Sutton
9 tags
billyjane:
Laurie Anderson, Tightrope
from...
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and the autumn night when we realized we were falling out of love.
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